AP - Sheriff’s officials are investigating Pierce Brosnan in an alleged assault in Malibu last week.

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Marlon Brando, Jr. was an Oscar winning American actor who was widely regarded as one of the greatest method actors of the twentieth century. Brando was born in Omaha, Nebraska. He had a tumultuous childhood, in which he was expelled from several schools. His father was largely critical, but encouraged him to find his own way. Brando left Illinois for New York City, where he studied at the American Theatre Wing Professional School, New School Dramatic Workshop, and the Actors’ Studio. It was at the New School’s Dramatic Workshop that he studied with Stella Adler and learned the revolutionary techniques of the Stanislavski System.

Brando soon used his Stanislavski System skills for his first summer-stock roles in Sayville, New York. His behavior got him kicked out of the cast of the New School’s production in Sayville, but he was discovered in a locally produced play there and then made it to Broadway in the bittersweet drama, I Remember Mama, in 1944. Critics voted him “Broadway’s Most Promising Actor” for his role as an anguished, paraplegic veteran in Truckline Café, although the play was a commercial failure. He achieved real stardom, however, as Stanley Kowalski in Tennessee Williams’ play A Streetcar Named Desire in 1947, directed by Elia Kazan. Brando sought out that role, driving out to Provincetown, Massachusetts where Williams was spending the summer to audition for the part. Williams recalled that he opened the screen door and knew, instantly, that he had his Stanley Kowalski.

Brando’s first screen role was the bitter crippled veteran in The Men in 1950. True to his method, Brando spent a month in bed at a veterans’ hospital to prepare for the role. He made a much larger impression the following year when he brought his performance as Stanley Kowalski to the screen in Kazan’s adaptation of Streetcar in 1951. He was nominated for an Academy Award for Best Actor for that role, and again in each of the next three years for his roles in Viva Zapata! in 1952, Julius Caesar in 1953 as Marc Antony, and On the Waterfront in 1954. Brando finally won the Oscar for his role of Terry Malloy in On The Waterfront. Under Kazan’s direction, and with a talented ensemble around him, Brando used his Stanislavski System training and improvisational skills. Brando claimed that he had improvised much of his dialogue with Rod Steiger in the famous, much-quoted scene (”I could have been a contender.”) with him in the back of a taxi.

Brando followed that triumph by a variety of roles in the 1950s that defied expectations: as Sky Masterson in Guys and Dolls, where he managed to carry off a singing role; as Sakini, a Japanese interpreter for the U.S. Army in postwar Japan in The Teahouse of the August Moon; as an Air Force officer in Sayonara, and a Nazi officer in The Young Lions. While he won an Oscar nomination for his acting in Sayonara, his acting had lost much of its energy and direction by the end of the 1950s. Brando’s star sank even further in the 1960s as he turned in increasingly uninspired performances in Mutiny on the Bounty and several other forgettable films. Though even at this professional low point, Brando still managed to produce a few exceptional films; such as One-Eyed Jacks (1961), a western that would be the only film Brando would ever direct, Reflections in a Golden Eye (1967) portraying a repressed gay army officer, and Burn! (1969), which Brando would later claim as his personal favorite, although a commercial failure.

Nonetheless, his career had gone into almost complete eclipse by the end of the decade thanks to his reputation as a difficult star and his record in over budget or marginal movies. His performance as Vito Corleone in The Godfather in 1972 changed this. Director Francis Ford Coppola convinced Brando to submit to a “make-up” test, in which he (Brando) did his own makeup. Francis Ford Coppola was electrified by Brando’s characterization as the head of a crime family, but had to fight the studio in order to cast him. Brando was voted the Academy Award for Best Actor for his intelligent performance; once again, he improvised important details that lent more humanity to what could otherwise have been a clichéd role. Brando turned down the Academy Award, the second actor to refuse an Oscar (the first being George C. Scott for Patton.) Brando boycotted the award ceremony, sending little-known actress Sacheen Littlefeather to state his reasons, which were based on his objections to the depiction of Native Americans by Hollywood and television. There was later much controversy when it emerged Littlefeather was not a Native American Indian at all, but a Mexican actress named Maria Cruz. The actor followed with one of his greatest performances in Last Tango in Paris, but it was overshadowed by an uproar over the erotic nature of the Bernardo Bertolucci film. Despite the controversies, which attended both the film and the man, the Academy once again nominated Brando for the Best Actor.

His career afterwards was uneven and he announced his retirement from acting in 1980. On July 1, 2004, Marlon Brando died at the age of 80. Marlon Brando made such a tremendous impact on Hollywood and many of his film moments truly are memorable.

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